The Metaphorical Analysis of Color Aesthetics in Parasite

Abstract

There was such a movie at the 92nd Academy Awards. It broke global history and became the first film that won the best film in a non-English language film since the establishment of the Academy Awards. At the same time, it won the Best Director Award, Best Original Screenplay Award and other four awards, whose name is—Parasite. It can be said that this film has elevated the status of Korean and Asian films. In addition to the reversal of the script, the unique technique, and the symbol of alienation, the use of the director's color metaphor is also a very important part of the film's exquisiteness. This thesis will analyze and study the director's unique color aesthetic metaphor in Parasite, and hope to give inspiration to contemporary domestic film creation.